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Nerkonda Paarvai Box Office Collection Report

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Nerkonda Paarvai movie box office collection

Nerkonda Paarvai is a Tamil-language legal drama film written and directed by H. Vinoth. The film produced by Boney Kapoor is a remake of Hindi film Pink (2016). It features Ajith Kumar, Shraddha Srinath, Abhirami Venkatachalam and Andrea Tariang (reprising her role from the original film) in the lead roles, and Rangaraj Pandey and Adhik Ravichandran are in pivotal roles. Nirav Shah is the cinematographer of the film, while Gokul Chandran is the editor.

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Nerkonda Paarvai Movie Collection

Nerkonda Paarvai Day Collection Gross
Chennai11.52 Cr1.52 Cr
USA11.20 Cr1.20 Cr
Tamil Nadu19 Cr9 Cr
Kerala12 Cr2 Cr
Australia130 L30 L
Malaysia11.50 Cr1.50 Cr
UK158 L58 L
World Wide121 Cr21 Cr
Chennai21.10 Cr1.10 Cr
Tamilnadu210 Cr10 Cr
Kerala21.45 Cr1.45 Cr
Karnataka295 L95 L
USA285 L85 L
Australia230 L30 L
Malaysia21.05 Cr1.05 Cr
UK244 L44 L
Worldwide218.50 Cr18.50 Cr
Chennai31.6 Cr1.6 Cr
USA31.12 Cr1.12 Cr
Tamil Nadu311 Cr11 Cr
Kerala31.48 Cr1.48 Cr
Aus318 L18 L
Malaysia31.66 Cr1.66 Cr
UK345 L45 L
Worldwide315.5 Cr15.5 Cr
Chennai41.60 Cr1.60 Cr
USA475 L75 L
Tamil Nadu411 Cr11 Cr
Kerala492 L92 L
Aus430 L30 L
Malaysia495 L95 L
UK440 L40 L
Worldwide418 Cr18 Cr
Chennai51.58 Cr1.58 Cr
USA51 Cr1 Cr
Tamil Nadu512.2 Cr12.2 Cr
Kerala51.44 Cr1.44 Cr
Aus517 L17 L
Malaysia51.65 Cr1.65 Cr
UK540 L40 L
Worldwide518.3 Cr18. 3 Cr
Chennai688 L88 L
Tamil Nadu66 Cr6 Cr
Kerala675 L75 L
Karnataka658 L58 L
USA654 L54 L
Australia615 L15 L
Malaysia669 L69 L
UK625 L25 L
Worldwide611 Cr11 Cr
Chennai71.3 Cr1.3 Cr
USA785 L85 L
Tamil Nadu78.8 Cr8.8 Cr
Kerala71.15 Cr1.15 Cr
Aus712 L12 L
Malaysia71.55 Cr1.55 Cr
UK735 L35 L
Worldwide714.25 Cr14.25 Cr
Chennai855 L55 L
Tamil Nadu83.80 Cr3.80 Cr
Kerala848 L48 L
Karnataka830 L30 L
USA830 L30 L
Australia89 L9 L
Malaysia843 L43 L
UK810 L10 L
Worldwide85.50 Cr5.50 Cr
Chennai91.18 Cr1.18 Cr
USA966 L66 L
Tamil Nadu97.8 Cr7.8 Cr
Kerala990 L90 L
Aus910 L10 L
Malaysia91.3 Cr1.3 Cr
UK928 L28 L
Worldwide912.3 Cr12.3 Cr
Chennai101.1 Cr1.1 Cr
USA1060 L60 L
Tamil Nadu107.2 Cr7.2 Cr
Kerala1082 L82 L
Aus108 L8 L
Malaysia101.15 Cr1.15 Cr
UK1025 L25 L
Worldwide1011.3 Cr11.3 Cr
Chennai1122 L22 L
Tamil Nadu112.50 Cr2.50 Cr
Kerala1115 L15 L
Karnataka118 L8 L
USA1110 L10 L
Australia113 L3 L
Malaysia1110 L10 L
UK114 L4 L
Worldwide112.78 Cr2.78 Cr
Chennai1210 L10 L
Tamil Nadu1258 L58 L
Kerala126 L6 L
Karnataka1210 L10 L
USA123 L3 L
Uk125 L5 L
Malaysia1215 L15 L
Worldwide122 Cr2 Cr
Chennai1322 L22 L
Tamil Nadu131.05 Cr1.05 Cr
Kerala138 L8 L
Karnataka1315 L15 L
USA135 L5 L
Uk137 L7 L
Malaysia1318 L18 L
Worldwide134 Cr4 Cr
Chennai1420 L20 L
Tamil Nadu1495 L95 L
Kerala146 L6 L
Karnataka1411 L11 L
USA143 L3 L
Uk145 L5 L
Malaysia1415 L15 L
Worldwide143.50 Cr3.50 Cr
Chennai1518 L18 L
Tamil Nadu1588 L88 L
Kerala155 L5 L
Karnataka1510 L10 L
USA153 L3 L
Uk155 L5 L
Malaysia1513 L13 L
Worldwide153 Cr3 Cr
Chennai1648 L48 L
Tamil Nadu162.1 Cr2.1 Cr
Kerala1618 L18 L
USA1616 L16 L
Aus162 L2 L

Nerkonda Paarvai Cast and Crew

Nerkonda Paarvai Cast and Crew details

Nerkonda PaarvaiCast and Crew details ,News, Complete Details
Director of Nerkonda PaarvaiH. Vinoth
Release date of Nerkonda Paarvai08 August 2019
Hero of Nerkonda PaarvaiAjith Kumar
Heroine of Nerkonda PaarvaiShraddha Srinath
ProducerSuvin K.Varkey
Prashob Krishna
MusicBoney Kapoor
CinematographyNirav Shah
Running time
LanguageTamil
CountryINDIA
ScriptH. Vinoth
Shoojit Sircar
Ritesh Shah
Production CompanyZee Studios & Bayview Projects LLP
Latest News about Nerkonda PaarvaiLatest News

Nerkonda Paarvai Review

It’s been a while since Tamil cinema has witnessed a court drama. Nerkonda Paarvai, the remake of Bollywood film, Pink, brings back the genre to Kollywood. With arresting performances of artistes and an engaging screenplay which touch upon a sensitive issue, H Vinoth manages to stay true to the original version. From the time the project was announced, all eyes were on Ajith – how is he going to pull off the character which was effortlessly portrayed by Amitabh Bachchan was the big question. The actor has essayed the role of a lawyer, who takes up a sensitive case despite suffering from personal issues, in his own style.

The story begins with Meera, Famita, and Andrea (Shraddha, Abhirami, Andrea) bumping into the gang of boys, Adhik, Venky and Viswa (Arjun, Aswin, Adhik) at a concert. The latter invites the former for dinner and a couple of drinks, and they all go to a resort to unwind. At a certain point, Adhik tries to molest Meera, and she attacks him with a bottle on his head. The girls flee from the place after realizing the consequence. They decide to file a police complaint after they were threatened by the boys. The latter, too, file attempt to murder case against Meera, after which the court looks into it. Bharath Subramaniam (Ajith), who suffers from depression due to personal issues, appear for the girls while Sathyamoorthy (Rangaraj Pandey) appear for the boys. How the court announces a verdict based on the lawyers’ arguments forms the rest.

As a film, Pink has conveyed what it wants to, in an appropriate way. There is hardly anything to change in it for a remake version, but considering Ajith’s fan base, the director has made some expected changes without altering any pivotal scene from the original. The actor has an extended fight scene, which is supported by Yuvan’s background score. Dhilip Subbarayan’s swift movements and punches are captured interestingly by Nirav Shah. Kathir’s art direction brings in the required ambiance for the plot.

The movie discusses a relevant topic in our times – consent from women before moving close with her. It attacks the regressive, patriarchal mindset of tagging women as good and bad based on their choices and freedom in our society, which often is run by rules laid by men. Shraddha impresses with her performance in the role of a helpless girl who escapes from being molested while Famita fits properly in her character. Andrea and the boys essayed what was offered to them neatly. Rangaraj Pandey gets a meaty role and gets it right, and Vidya Balan makes a cameo.

Nerkonda Paarvai HD Poster

Nerkonda Paarvai Box Office Collection

Nerkonda Paarvai Box Office Collection

Nerkonda Paarvai HD Poster

Nerkonda Paarvai HD Poster

Nerkonda Paarvai Images

Nerkonda Paarvai Images

Nerkonda Paarvai Movie

Ajith in Nerkonda paarvai

Nerkonda Paarvai Official Trailer

Source: Zee Music South

[penci_review id=”47912″]

Box Office Collection

Big Brother Box Office Collection Report, Review and Rating

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Big Brother Box Office Collection Report, Review and Rating

Big Brother Malayalam movie is an action thriller film written, directed and co-produced by Siddique. It was jointly produced by S Talkies, Shaman International, and Vaishaka Cinema, in association with Carnival Movie Network. The film stars Mohanlal, Arbaaz Khan, Anoop Menon, Sarjano Khalid, Honey Rose, Siddique, Vishnu Unnikrishnan, Irshad, Tini Tom, Mirnaa Menon, and Gaadha. Big Brother marks the Malayalam film debut of Arbaaz Khan. The music for the film was composed by Deepak Dev.

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Big Brother Box Office Collection

Big Brother Day Collection Gross
Kochi114 L14 L
Kerala18 Cr8 Cr
Overseas16 Cr6 Cr
Worldwide116 Cr16 Cr

Big Brother Cast and Crew

Big Brother Cast and Crew details

Big BrotherCast and Crew details ,News, Complete Details
Director of Big BrotherSiddique
ProducerSiddique
Jenso Jose
Philipose K. Joseph
Manu Maliackal
Vaishak Rajan
Release date of Big Brother16 January 2020
Hero of Big BrotherMohanlal
Heroine of Big BrotherArbaaz Khan
StorySiddique
MusicDeepak Dev
CinematographyJithu Damodar
LanguageMalayalam
CountryINDIA
ScreenplaySiddique
EditedK. R. Gourishankar
Production companyS Talkies
Shaman International
Vaishaka Cynyma
Carnival Movie Network
Running time
Budget32 crore

Big Brother Review

Director Siddique’s movies that have worked have always had an equal mix of humor, action, and sentiments. In his latest film, however, the director, who has also scripted the film has dropped the humor element in favour of more action and a patience-testing plot to pass off as a thriller. The movie’s protagonist 40-year-old Sachidanandan (Mohanlal) is just released from prison after serving a double life sentence for killing a police officer at a juvenile home. His family, however, welcomes him with open arms and within the first 30 minutes, he reveals to them that he wasn’t just serving time the past 24 years. To up the suspense quotient, Siddique has also given his protagonist a special skill that aids him in the film’s multiple action scenes that include two in the dark and one smack in the middle of a dustbowl.

Sachidanandan’s past, however, soon catches up to him and his family, and forcing him to return to the ways he didn’t want to. In the middle of all this is a police officer Vedantham IPS (Arbaaz Khan) who is on the hunt for an elusive drug boss Edwin Moses. How Sachidanandan’s, Vedantham’s and Moses’ paths cross is what the film is about, but Siddique opts to use so many tropes and misdirection techniques to get there that by the end of it, the audience could hardly care who Moses is and what his ultimate aim is. Mohanlal as Sachidanandan is dour-faced for most of the film, except for the comic scenes where he tries to observe the niceties after his life in prison. In fact, more of these scenes could have elevated the film. Arbaaz as Vedantham IPS has a powerful presence, but is underused. His parallel story seems to get lost in the mess that Sachidanandan and friends get entangled in, and the police officer becomes an apologetic footnote, at best.

The film’s leading ladies Mirnaa, Honey Rose and Gadha do their parts well in what limited scenes they have. Anoop Menon and Sarjano Khalid as Sachidanandan’s brothers Vishnu and Manu, respectively, perform decently. The comedy track from Vishnu Unnikrishnan, Tini Tom and Irshad fall flat, however. Deepak Dev’s songs in the film add a bit of energy that the film, which is 164 minutes long, desperately needed. If Siddique could have kept the run-time in check and maybe stopped short of building Sachidanandan as a superhero, the movie could have passed as a decent watch.

Big Brother HD Photo Gallery

Big Brother Trailer

Source: Millennium Audios

Big Brother Rating: 3.5/05

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Box Office Collection

Pattas Box Office Collection Report, Review and Rating

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Pattas Box Office Collection Report, Review and Rating

Pattas is a Tamil martial arts film written and directed by R. S. Durai Senthilkumar and produced by Sathya Jyothi Films. It stars Dhanush, Sneha, Mehreen Pirzada in the lead roles and Naveen Chandra as the antagonist. The film features music composed by Vivek-Mervin. It marks the second collaboration between Dhanush and director Durai Senthilkumar after Kodi. The film depicts Adimurai, an ancient martial art that was practiced by the Cholas, and existed even before Kalaripayattu. For their roles, Dhanush and Sneha underwent martial arts training prior to the commencement of the filming.

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Pattas Box Office Collection Report

Pattas Day Collection Gross
Worldwide1
Worldwide2
Worldwide3
Worldwide4

Pattas Cast and Crew Details

Pattas Cast and Crew details

PattasCast and Crew details ,News, Complete Details
Director of PattasR. S. Durai Senthilkumar
ProducerkumarThyagarajan
Arjun Thyagarajan
Release date of Pattas15 January 2020
Hero of PattasDhanush
Heroine of PattasSneha
StoryR. S. Durai Senthilkumar
MusicVivek-Mervin
CinematographyOm Prakash
LanguageTamil
CountryINDIA
ScreenplayR. S. Durai Senthilkumar
EditedPrakash Mabbu
Production companySathya Jyothi Films
Running time141 minutes
Budget

Pattas Review

Every once in a while, our Tamil filmmakers stumble upon a forgotten or dying ancient art form and come up with a film glorifying it and bringing it to public consciousness – even if for a brief while. With Pattas, Durai Senthilkumar wants to do for Adimurai, a less heard of the traditional martial art form from Tamil Nadu, what Indian did for Varmakalai and 7aum Arivu did for Bodhi Dharman. But the problem is he seems to have been carried away by the novelty of Adimurai and gives us a formulaic action drama that is predictable from start to finish. Forget plot structure and scenes, even the lines here hold no surprise.

The film begins in 2001 with a woman, Kanyakumari (Sneha, solid), being sent to prison for murder. The action then cuts to the present where Shakthi alias Pattas (Dhanush, earnest) is leading a happy-go-lucky life that involves some small-time thievery and playful retaliation against Sadhana (Mehreen Pirzada), the pompous neighborhood girl. The latter makes him steal from her workplace, a mixed martial arts academy run by Nilan (Naveen Chandra, ineffective). But little does he realize that he has a history with Nilan until he meets Kanyakumari, his long-last mother, who wants him to avenge the murder of his father, Thiraviyam (Dhanush, again) and bring glory to Adimurai, the ancient martial arts form that he practiced.

It is these portions featuring Thiraviyam that are the saving grace of Pattas. This flashback is filled with drama, but surprisingly, rather than flesh out this segment, detailing the tragic turn of the friendship between Thiraviyam and Nilan, and the latter’s strained relationship with his father, an Adimurai guru played by Nasser, Durai Senthilkumar’s writing is content with dealing in broad strokes that these scenes are only half as impactful emotionally as they should have been, and feel rushed. But there is an inherent rousing quality to them, amplified by Vivek-Marvin’s punchy score.

On the other hand, the director spends too much time on the Pattas-Sadhana track, which isn’t as funny as he wants it to be. There is no chemistry between the two leads, with Mehreen’s performance lifeless and Dhanush’s youthful antics coming across as juvenile. And even the portions that follow the film’s big revelation lack impact. Even the drama that we associate with the sports film genre is lacking in the MMA contest scenes, with Pattas made to take on lackluster opponents. After the strong show in Kodi, it is a surprise that Durai Senthilkumar has gone to his middling Kaaki Sattai form and given us this Pattas with no bang.

Pattas HD Photos

Pattas Trailer

Source: Sun TV

Rating: 3.5/05

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Chhapaak Box Office Collection Report, Review and Rating

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Chhapaak Box Office Collection Report, Review and Rating

Chhapaak is a Hindi film directed by Meghna Gulzar and produced by her as well as Deepika Padukone in collaboration with Fox Star Studios. Based on the life of Laxmi Agarwal, it stars Padukone as an acid attack survivor, alongside Vikrant Massey.

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The film was announced on 24 December 2018 by Padukone on her Twitter account; it marks her first production venture. Filming took place from March to June 2019 in New Delhi and Mumbai. Days before the film’s release, Padukone visited students who were brutalized during the 2020 JNU Attack, which led to a divided response on Twitter. A few right-wing magazines later wrongly reported that the religion of the acid thrower in the film was changed from a Muslim into a Hindu character. The film was theatrically released on 10 January 2020. It received positive reviews from critics.

Chhapaak Box Office Collection Report

Chhapaak Day Collection Gross
Worldwide1 4.77 crore 4.77 crore
Worldwide26.90 crore11.67 crore
Worldwide37.35 crore19.02 Crore
Worldwide43 crore22.02 crore

Chhapaak Cast and Crew Details

Chhapaak Cast and Crew details

ChhapaakCast and Crew details ,News, Complete Details
Director of ChhapaakMeghna Gulzar
Producer Fox Star Studios
Deepika Padukone
Govind Singh Sandhu
Meghna Gulzar
Release date of Chhapaak10 January 2020
Hero of ChhapaakVikrant Massey
Heroine of ChhapaakDeepika Padukone
StoryAtika Chohan
Meghna Gulzar
MusicShankar–Ehsaan–Loy
CinematographyMalay Prakash
LanguageHindi
CountryINDIA
ScreenplayMeghna Gulzar
EditedNitin Baid
Production companyFox Star Studios
Ka Productions
Mriga Films
Running time120 minutes
Budget35–40 crore

Chhapaak Movie Review

 Meghna Gulzar’s ‘Chhapaak’ is inspired by the story of real-life acid attack survivor, Laxmi Agarwal, who has become a symbol of strength and inspiration for many women. The film is a fictionalized account with Deepika Padukone playing the central character Malti, who is attacked in broad daylight on the streets of Delhi by a friend of the family, Bashir Khan aka Babbu and his aide.

As the narrative chooses a non-linear route, we first meet Malti when she is on a job hunt – consciously trying to move on from the emotional scars that the heinous crime has left her with. For the physical scars, she has to go through a number of complicated surgeries. In fact, far from the dreams, she nursed of being a singer, her life is now an intersection of her work with an NGO for acid victims, her multiple surgeries and her court cases. Yet, the film steers away from melodrama or manipulation and instead gives us a powerful protagonist whose resolve to fight is punctuated with her determined smiles, the pain in her eyes and her indomitable spirit.

As support from her family dwindles owing to her brother’s illness and father’s death, it is Malti’s lawyer Archana (Madhurjeet Sarghi), who stands by her through her arduous journey. From Malti’s PIL to ban the sale of acid to amendments in the acid violence legislation, her team of women lawyers, take on the system. Her other main support comes from Amol (Vikrant Massey), who employs her to work for his NGO.

Deepika Padukone is the soul of the film, delivering a brilliant, immersive performance. In fact, there are many scenes where her act will move you to tears – like the one where she holds up an earring to her face but realizes now she can’t put it on. Or her piercing cry when she sees her face for the first time in a mirror after the attack. And one where she determinedly tells Amol, “Mujhe party Karni hain.” Precisely why Malti’s character is a winner because at no point does she succumb to self-pity. And as Deepika embraces her character completely, her transformation is enhanced through effective prosthetics. Devoid of even a hint of glamour, all we see is Malti throughout.

Both Vikrant Massey and Madhurjeet Sarghi pitch in very commendable performances. The story sends out a strong message and is undoubtedly a brave attempt, however, the edit seems choppy in places and certain parts of the narrative seem a tad stretched in the second half. The music tracks stand out – with ‘Chhapaak’ title track and ‘Nok Jhok’ (soundtrack by Shankar-Ehsaan-Loy, lyrics by Gulzar) adding to the poignancy of the mood. ‘Chhapaak’ is not a film that lets you go easy, just as one begins to settle in to think Malti has managed to get better of her perpetrator, it jolts you with a few grim.

Chhapaak Movie HD Photo Gallery

 

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