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Syeraa Narasimha Reddy Movie Review

Roselin Ravikrishnan

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Sye Raa Narasimha Reddy Movie Review

Sye Raa Narasimha Reddy is a Telugu action film directed by Surender Reddy and produced by Ram Charan under the Konidela Production Company banner. A work of fiction, the film is inspired by the life of freedom fighter Uyyalawada Narasimha Reddy from the Rayalaseema region of Andhra Pradesh. The film will be dubbed and released in Hindi, Kannada, Malayalam, and Tamil. The film stars Chiranjeevi in the title role along with Nayanthara as the lead female along with an ensemble supporting cast of Sudeep, Vijay Sethupathi, Tamannaah, and Jagapati Babu in lead roles. Amitabh Bachchan will make a guest appearance.

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Syeraa Narasimha Reddy Review

Syeraa Narasimha Reddy Review

Sye Raa Narasimha Reddy Movie Review

Britishers are establishing their rule across India and forcing citizens to pay insanely high taxes. The setting is Renadu in the 1840s where villagers reel under oppression from the British, forced to sometimes even choose between their food grains and basic respect. It’s a story often told on the silver screen whenever we talk of India’s years-long struggle for Independence, something we would only gain in 1947. But the story of Uyyalawada Narasimha Reddy is something not many talks or even know of. A man whose rebellion is said to inspire many battles that followed, later on, even that of Jhansi Lakshmi Bai.

A palegaar from Kurnool, Narasimha Reddy (Chiranjeevi) grows up with vengeance in his blood against the British who mistreats his loving people. Under the tutelage of his guru Gosayi Venkanna (Amitabh Bachchan), he learns the art of war lies in not dying or killing, but in winning it at any cost. Growing up, he falls in love with a classical dancer Lakshmi (Tamannaah), whose art he believes is best used not in service of God, but people. His betrothed Siddhamma (Nayanthara) later decides to help him in his rebellion, even if it means staying away from him. History books are proof of how this tale ends for the revolutionary, that’s no surprise. But what’s surprising is that, despite being an often-told tale, the underdog rising against the oppressor, Surender Reddy’s screenplay makes no attempt to bring any kind of emotional depth to the story.

Sye_Raa_Narasimha_Reddy_

Sye_Raa_Narasimha_Reddy_

And for a tale that involves not just a love triangle, but numerous players (Narasimha Reddy’s fellow palegaar’s played by Jagapathi Babu, Ravi Kishan, Kichcha Sudeep, etc) who keep changing their mind according to whim and keep falling to the materialistic and emotional trappings of the Britishers, not to mention the full-blown war at the end of the tale, it sure lacks depth.

Don’t get us wrong, Sai Madhav Burra’s dialogues do their bit to whip the audience into frenzy at key points in the tale, Julius Packiam’s score is a delight, Greg Powell, Lee Whittaker, and Ram-Laxman’s stunts keep you at the edge of your seat, even if they’re overly stylized at parts, and Rathnavelu’s cinematography is enchanting. But the screenplay could’ve definitely been tighter, not to mention have more gravitas, apart from Sreekar Prasad’s editing, which could’ve been more seamless. The film, despite the super-long run-time never ponders enough on key scenes to let it sink in. And overall, the film needed an emotional connect, which it lacked. The VFX and art direction in certain key scenes didn’t help much either.

But all said and done, despite the spectacular star cast, who are all reduced to playing second fiddle (except for Avuku Raju (Kichcha Sudeep) whose scenes with Narasimha Reddy are fire), this is Chiranjeevi’s show all the way. The actor has always had a larger-than-life persona, even in films that existed just to show off his dancing skills and comedy timing. So he seems to have sunk his teeth into the titular role with all his might and given it his all. Sye Raa Narasimha Reddy doesn’t just work because of its technical brilliance, but it also does because the Megastar is heading the show. Vijay Sethupathi’s fans will be left disappointed.

Nayanthara's motion poster in Say Raa narasimha reddy

Nayanthara’s motion poster in Say Raa narasimha reddy

The story-telling has its flaws, but the characters are intriguing. What’s impressive is the massive canvas the film is mounted on. Sye Raa Narasimha Reddy might work only in bits and pieces, especially with a story that has been told a million times over, but the scenes in which the film works and Chiranjeevi, make it all worthwhile!

Sye Raa Narasimha Reddy Cast and Crew Details

Sye Raa Narasimha Reddy Cast and Crew details

Sye Raa Narasimha ReddyCast and Crew details ,News, Complete Details
Director of Sye Raa Narasimha ReddySurender Reddy
Release date of Sye Raa Narasimha Reddy02 October 2019
Hero of Sye Raa Narasimha ReddyChiranjeevi
Heroine of Sye Raa Narasimha ReddyNayanthara
ProducerRam Charan
MusicSongs:
Amit Trivedi
Score:
Julius Packiam
CinematographyR. Rathnavelu
Running time171 minutes
LanguageTelugu
CountryINDIA
ScriptParuchuri Brothers
Production CompanyKonidela Production Company
EditingA. Sreekar Prasad
Running Time171 minutes
Budget270 Crore
Latest News about Sye Raa Narasimha ReddyLatest News

Film Reviews

Chola Movie Review

Roselin Ravikrishnan

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Chola Movie Review

Chola is a Malayalam-language drama film directed by Sanal Kumar Sasidharan and produced by Joju George, and cop-produced by Shaji Mathew and Aruna Mathew. The film stars Joju George, Nimisha Sajayan and Akhil Viswanath.

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Chola Movie

Chola Movie

Chola Movie Review

Be prepared for an immersive, literally head-spinning and almost interactive bit of film viewing. For this, the credit goes not just to director Sanal Kumar Sasidharan and the amazing cast, but in equal, if not more, measure to cinematographer Ajith Aacharya and composer Sergey Cheremisinov. Their combined efforts will fill you with anger, fear, hate and sometimes leave you almost feeling sick.

Chola Movie Images

Chola Movie Images

The story is like an on-the-ground portrayal of an abuse case, regularly reported in Kerala. The names of the characters are almost not important, though Nimisha Sajayan, a truant schoolgirl, is called Janu by her boyfriend. The youngsters decide to get out of their village in the high ranges for a day of fun in the city. Their ‘chaperone’ is Joju George, who is the boy’s ‘ashaan’. Janu is uncomfortable from the start to see him and things don’t take long to get out of hand.

And there is none of the ‘prettiness’ of commercial cinema here. There are moments when you are left flinching. There may be bits in the denouement that we don’t understand, but even that can be appreciated as the complications of emotions rising from life-changing situations. Nimisha is perfect as the raw, provincial schoolgirl. Her fear and helpless submission will get under your skin. Joju fills the screen with a menacing presence. Akhil Viswanath is excellent as the spineless boyfriend. These are characters we will love to hate for a long time. And we have to add once again about the jolts the cinematographer gives, while almost spinning us around to convey a horrible moment or putting us under the power of a waterfall. Sergey’s music is chillingly fitting for the scenes.

Chola Review

Chola Review

The criticism Sanal Kumar Sasidharan usually faces is that the pace of his films is slow. Here too, it is a small story that moves at a mellow pace – there are lingering glances, moody landscapes, few dialogues and symbolic imagery – but never once do you feel a lag; so immersed are you in the storytelling. It is a must-see for the lover of cinema, but be warned, it is not for the faint of heart.

Chola Movie Collection

Chola Movie Collection

Chola Cast and Crew Details

Chola Cast and Crew details

CholaCast and Crew details ,News, Complete Details
Director of CholaSanal Kumar Sasidharan
ProducerJoju George
Release date of Chola06 December 2019
Hero of CholaJoju George
Heroine of CholaNimisha Sajayan
Story
MusicBasil Joseph
CinematographyAjith Aacharya
LanguageMalaylam
CountryINDIA
ScreenplayK V Manikandan
Sanal Kumar Sasidharan
EditedSanal Kumar Sasidharan
Production companyAppu Pathu Pappu Productiuon House
Running time116 minutes
BudgetYet to be Updated
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Film Reviews

Thakkol Movie Review

Roselin Ravikrishnan

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Thakkol Movie Review and Rating

Thakkol, as the name suggests, is to travel behind the Thakkol without saying a word behind the Thakkol. Writer and director Kiran Prabhakaran, who is leaving the theater, understands that the key is not just opening the box, but also understanding some people. The film stars Indrajith and Murali Gopi as the central characters and exposes the mystery of the human mind through Christian priests. Those who seem to be cruel in the first place may never be so. This is underscored by the closing words of the film, “Cruel deeds that do good.”

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Thakkol Movie

Thakkol Movie

The film is about Monsignor Mankunnath Pailey and Ambrose Vaz, the boy he brings with him as an altar boy. Ambrose, as an altar boy, was still with Monsignor Mankunnath Pailey. Monsignor, who kept Ambrose under his wing, never wanted to set Ambrose free. However, at the recommendation of Clement, who plays Ranji Panicker, the bishop appoints Ambrose as vicar of the parish church where he was born. His father’s decision to deliver to Ambrose was to escape Monsignor’s hand. However, Clement says he has a false eye for bringing Ambrose to the church and will reveal it upon his arrival. But when it came to the new church, things were not as Ambrose intended. There, waiting for Ambrose Sachsen was a key that was not down. The film is a journey behind it.

Monsignor Mankunnath Pailei plays Murali Gopi and Ambrose plays Indrajith. Both of these characters with a lot of inner sincerity are literally awesome. Each of the actors who entered the film were small but made their characters better. Renji Panicker’s Clement is a different character in his career. Ranji Panicker has been able to improve the character by giving a variety of voices as well as just the sidewalk. Nedumudi Venu, Inia, Roni, and Sudev Nair are the other characters in the film.Thakkol Movie Review

Thakkol Movie ReviewThere are some great songs in the movie. The music is composed by M Jayachandran. Jayachandran’s background music is what sustains the film’s mood. The main camera of Goa and Kottayam, the film was handled by Albie. The camera reaches out to the characters’ moods rather than visual beauty.

The two-and-a-half-hour-long film takes on a rhythmic rhythm rather than the intensity of the story. So length is often a villain. If the audience is confused about which direction the film is heading until the end of the first half, there is no mistaking it. Shaji Kailas, the director, and producer who brought the film to the forefront of this complex issue, deserves its share of the film as an entertainer. Shaji Kailas Jonar’s name in the role of the producer may be the Thakkol disappointment to the audience who come to the theater expecting a Shaji Kailas Joner film.

Thakkol Movie Collection

Thakkol Movie Collection

Thakkol Cast and Crew Details

Thakkol Cast and Crew details

ThakkolCast and Crew details ,News, Complete Details
Director of ThakkolKiron Prabhakaran
Producer Shaji Kailas
Release date of Thakkol06 December 2019
Hero of ThakkolIndrajith
Heroine of Thakkol
StoryKiron Prabhakaran
MusicM. Jayachandran
CinematographyAlby
LanguageMalaylam
CountryINDIA
ScreenplayKiron Prabhakaran
EditedZian Sreekanth
Production companyShaji Kailas Entertainments
Running time122 Minutes
BudgetYet to be Updated
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Film Reviews

Happy Sardar Movie review, latest update

Keerthi Krishnan

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happy-sardar-movie-review

Happy, a timid Sardar living in Patiala, finds his life turned upside down when he falls in love with Mary, a Malayali Knanaya Christian girl. He wins her heart and both sets of parents agree to the wedding. But there`s a catch: his folks want a Punjabi Shaadi and Mary`s father is adamant about having a Christian wedding. Can he pull this off, especially since his three co-brothers (a Hindu, a Muslim and a Communist) are out to wreck his plans?

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Review: Cross-cultural romances are often ‘explosive’ affairs both on and off-screen in our country, thanks

happy-sardar-movie-review

to parents who stick to their guns, while youngsters are unconcerned about region and religion. But cultural differences in love stories are also fertile ground for comedy if executed well. Does Happy Sardar tap this well? Punjabi-Malayali boy Happy Singh (Kalidas) and Mary (Merin Philip), a Knanaya girl fall in love. But then comes the trickiest part – making their families fall in love. They set out to win over the parents, but as anyone can guess, it’s no cakewalk.

The film is light and frothy in parts. Kalidas has a decent screen presence as a young Mallu Sardar. New girl Merin looks cute in her different get-ups. There are a few good jokes by Sharafudheen’s character. It’s not always that one gets to see ceremonies of communities, such as the Knanayas, on the big screen and this film shows us quite a few such interesting aspects. The styling of the characters is good and song settings are nicely done. The movie might resonate with those who have had inter-state weddings. At times, there

happy sardar movie review

are also some playful digs at each other’s cultures that are enjoyable. However, something that one needs strongly in a romantic tale is a strong chemistry between the lead pair, which is sadly absent here. The film seems to neither care much about establishing why the duo are so into each other, nor does it really bother to captivate the audience. At times, the couple’s journey is even stretched to the point of extreme Bollywood-square disbelief.

Certain in-your-face, impact-less evergreen dialogues and references are tough to ignore. The parental tiffs expected in the tale are too stretched-out and overdone in certain sequences. The movie gathers its emotional heft mostly in the second half, even going to the extent of showing how the cultural hatred

happy sardar movie review

spread by the older generation corrupts young minds, but not with much effect. The second half of the film also often descends into a tiring melodrama that makes one squirm in the seat, waiting for the ending. The songs only serve to slacken the pace of the screenplay which is predictable to the extent of being seriously boring. Happy Sardar might impress those who care the best about a colorful narration, even in the absence of a story with a strong spine.

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